I haven't blogged about the last few reviews I did for The Arts Fuse in part because they came out so close to their closing date.
My latest review is of Wax Wings Productions presentation of Cassie M. Seinuk's Eyes Shut. Door Open. -- a Cain and Abel story set on the SoHo arts scene:
Seinuk, of course, knows her mythology, and the allusion to and repetition of mythological violence elevates Eyes Shut. Door Open. above the popular plot formula of dark domestic secrets revealed at a family reunion.
I also admire the acting from the three person ensemble of Victor Shopov, Melissa M. DeJesus and Michael James Underhill as well as Rose Fieschko’s fight choreography. However, I feel let down by some of the production design choices:
Lighting designer Christopher Bocchiaro (whose work I generally admire — particularly in ASP’s recent production of Measure for Measure, and Apollinaire’s Blood Wedding) and sound designer Patrick Greene made some messy missteps here. Turner’s PTSD flashbacks were conveyed through a number of unsubtle and clichéd choices: Red-lit chiaroscuro, voices slowed down, distorted, and pitch-shifted down an octave or more. The upshot was memories of trauma made campy rather than cathartic – the episodes were suited to a straight-to-cable horror movie.
Read the whole review on The Arts Fuse!